Ekaterina Filippova-Blanchard’s FOX trot scarf is a seriously cute knit. It’s boomerang-shaped, worked from the nose in garter stitch. Short rows make for an interesting construction and the little ears, paws and tail are super sweet features.
I used Gilliatt by De Rerum Natura, which is an absolutely beautiful ecologically produced merino wool yarn from France. It’s soft and bouncy with great stitch definition. There are so many lovely colourways: potimarron (pumpkin) is my main colour and poivre blanc (white pepper) is the first contrasting colour.
I’ll close with an inside-out WIP shot of this sweet little pullover. For those new to stranded knitting, I have always found it helpful to knit on the wrong side. That way, I don’t have issues with puckering and my tension is much more even. If you’re a tight knitter by nature, as I am, give it a go!
My nephew Stellan was born in April, so naturally I’ve been amassing a slew of new-to-me little-person knit patterns. The first sweater I knit him was a Livingston pullover (not pictured), which remains my favourite baby pattern (along with the Umbilical Cord Hat from Stitch ‘n Bitch). For the winter, I’ve made him a wee slipped stitch sweater to go along with a wee colourwork cardi for his big sister, Sibella.
The green pullover is Lancelot by Solenn Couix-Loarer and from the notes on the project pages on Ravelry, it appears to have stumped a fair number of knitters. I think the pattern is correct, but the wording could be clearer around the markers. For the placket set up and neck shaping, the marker referred to in row 1 is the start of row marker. Other than that, it was all good and I’m really happy with the result.
Beeline is a straight-forward, seamless knit from Heidi Kirrmaier. I’ve made it twice so far, so that says something about its knit- and wear-ability. The first was for me(!) in jade Merino wool, and the second for my sister in silver Galway Highland Heathers.
The eyelet details and shaping add interest while knitting the many inches of stockinette for the body. The pullover is worked top-down, with the neckband picked up to finish. Easy peasy!
I did adapt it by adding a full twist rather than forming a Moebius strip as written. I also shortened it so it fits comfortably around the neck rather than shoulders.
The piece is knit in the round, as a tube, and then grafted together after the twist. Fun, fun, fun! I came across The Purl Bee’s video tutorial for Kitchener stitch, which I think is helpful if you haven’t grafted before, or need a refresher before diving in.
I hope you enjoy wearing it, Jane! And a very happy holiday to all!
A tiny Christmas cardigan for my two-year-old niece – the pattern is Gudrun Johnston’s Wee Ambrosia. I didn’t make any modifications, and even used the recommended yarn. I’m a big fan of Quince & Co., and this is their aran-weight Osprey in Apricot. Let’s hear it for 100 per cent wool and Wovember!
I initially ordered some custom ceramic toggles but they ended up being too heavy; they really pulled on the fabric. I came across these cute fabric-covered penguin buttons on Etsy and think they’re perfect. My niece is partial to penguins.
The fabric of these mitts almost looks woven. I used a worsted spun, 100 per cent Shetland wool yarn from Jamieson & Smith’s Shetland Heritage line. The result is a soft fabric with a smooth finish.
Kate Davies designed the pattern; an interpretation of traditional two-colour gloves made in Dentdale and the Scottish Borders. Ecclefechan, a Borders’ village, is on the map as the birthplace of satirist Thomas Carlyle, as well as for its butter tarts. If you need incentive, the pattern comes with a recipe!
Three fingers are kept together for warmth, while the index or ‘trigger’ finger and thumb are separated in these traditional mittens from Newfoundland and Labrador. I first came across the concept at a 2011 David Blackwood exhibition at the AGO in Toronto. Blackwood is a printmaker, known for his use of the intaglio technique where depressions are cut into a printing plate. He also works in woodcuts, paintings and drawings. I loved this etching, For Edgar Glover: The Splitting Table (Emma Butler Gallery), in particular.
I think the ceramic buttons are my favourite thing about this little cardi. They’re from karoArt’s Etsy store and were handmade in Ireland.
The pattern is seamless and a quick knit in a worsted weight yarn; I used Cascade Yarns 220 Superwash in royal purple. No problems to speak of – I’m a fan of Nadia Crétin-Léchenne’s sweet patterns for little ones. The sweater fits 12-18 months and only took one and a half balls of yarn.