Three fingers are kept together for warmth, while the index or ‘trigger’ finger and thumb are separated in these traditional mittens from Newfoundland and Labrador. I first came across the concept at a 2011 David Blackwood exhibition at the AGO in Toronto. Blackwood is a printmaker, known for his use of the intaglio technique where depressions are cut into a printing plate. He also works in woodcuts, paintings and drawings. I loved this etching, For Edgar Glover: The Splitting Table (Emma Butler Gallery), in particular.
I’ve dug up a couple of patterns in the years since: Mrs. Martin’s Finger Mitts by Harriet Pardy Martin, which was published in Favorite Mittens by Robin Hansen; and the one I ultimately used to make these mitts for Chris, which is from Operation Homespun: Traditional knitting patterns of Newfoundland & Labrador.